Music

interview For those who need it: A brief introduction to Deradoorian  In 2014, when Martin Scorsese introduced a digitally enhanced version of Sergei Parajanov’s “The Color of Pomegranates” in Toronto, he prompted the audience that they would be participating in a screen experience “pretty much unlike anything in cinema history,” as articulated by The Guardian later that year. This description may be more than a fair introduction to the musical catalog of Angel Deradoorian.